There is one absolute reason I love Ruskin Bond and no matter how many great authors I cross paths with in my long journey through the bookworm life, nobody will ever be as momentous, as beloved as dear old Rusty.
Perhaps it's his insatiable love for India and the Sahyadris - every novel, novella and short story or campsite tale he has every told, has the Hills somewhere near its centre, at its very heart. Flipping between pages of his writing, I never fail to see the warm sun on a winter's morning, or the flavour of tea and hot aromatic cookies on a wooden breakfast table.Visions and images of places that are so deeply embedded into a positively chaotic mind, begin to float pleasantly on the surface, making me go warm all over and remember the feeling of snuggling under a quilt that had recently been soaking in the sun.
And so Rusty breaks into my snooty choices of authors after many years, cuts through the "hoity-toity" preference for Madness and Parallel Universes and Existentialism. And while he's at it, he reminds me once again of my own love for Gin and Tonic.
Maharani is not intentionally meant to be a spoof on the degenerate Indian Royalty of Old. It is quite simply the tale of a friendship that could have been something much less or a lot more. Bond does not waste his words weaving any undue sensuality into his protagonist, but focuses on her need to be loved, and her belated fear of loss. The novella begins with the Maharani prophetically declaring her impending death within the coming year, and then weaves back and forth into time, bringing a motley of extremely interesting characters to the fore, that a delighted reader would have loved to explore some more.
My personal favourite was the little boy Pablo. Despite a relatively brief print-space, Pablo manages to evolve as a complex, tragic and yet an exceptionally delightful child. I would love to know what happened to him after he exited the pages of 'Maharani'.
Musoorie and its lives, hills, mosses, cinema halls and grand hotels, rise and fall around the life of the Maharani. Even when Rusty tries to escape her into the cacophonous bustle of Delhi, he finds characters who can keep him woven into the mosaic of the Maharani's life. And when he returns, he remains affectionate and yet critical, distant, aloof, as he always does. His one true love being the Hills and his long walks (conversations?) in the forests. Perhaps the Maharani realises this, as does the reader.
I recommend Bond's latest offering to all of his seasoned fans. Only they can know why they love his work so much. And they will Love 'Maharani'.
Perhaps it's his insatiable love for India and the Sahyadris - every novel, novella and short story or campsite tale he has every told, has the Hills somewhere near its centre, at its very heart. Flipping between pages of his writing, I never fail to see the warm sun on a winter's morning, or the flavour of tea and hot aromatic cookies on a wooden breakfast table.Visions and images of places that are so deeply embedded into a positively chaotic mind, begin to float pleasantly on the surface, making me go warm all over and remember the feeling of snuggling under a quilt that had recently been soaking in the sun.
And so Rusty breaks into my snooty choices of authors after many years, cuts through the "hoity-toity" preference for Madness and Parallel Universes and Existentialism. And while he's at it, he reminds me once again of my own love for Gin and Tonic.
Maharani is not intentionally meant to be a spoof on the degenerate Indian Royalty of Old. It is quite simply the tale of a friendship that could have been something much less or a lot more. Bond does not waste his words weaving any undue sensuality into his protagonist, but focuses on her need to be loved, and her belated fear of loss. The novella begins with the Maharani prophetically declaring her impending death within the coming year, and then weaves back and forth into time, bringing a motley of extremely interesting characters to the fore, that a delighted reader would have loved to explore some more.
My personal favourite was the little boy Pablo. Despite a relatively brief print-space, Pablo manages to evolve as a complex, tragic and yet an exceptionally delightful child. I would love to know what happened to him after he exited the pages of 'Maharani'.
Musoorie and its lives, hills, mosses, cinema halls and grand hotels, rise and fall around the life of the Maharani. Even when Rusty tries to escape her into the cacophonous bustle of Delhi, he finds characters who can keep him woven into the mosaic of the Maharani's life. And when he returns, he remains affectionate and yet critical, distant, aloof, as he always does. His one true love being the Hills and his long walks (conversations?) in the forests. Perhaps the Maharani realises this, as does the reader.
I recommend Bond's latest offering to all of his seasoned fans. Only they can know why they love his work so much. And they will Love 'Maharani'.